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To Be The Land Of A Thousand Classics
The universal success of The God of Small Things and the exuberant outburst of Salman Rushdie on ‘regional’ Indian writing call for a dispassionate approach to the genesis of Indo-English writing, nay, all Indian writing. Let us first propitiate the ‘God of Small Things’ before we turn our attention to the ‘Satan of Verses’As Arundhati Roy’s success is of historical magnitude, it would be in order to follow the Gibbonian track to seek its causes. To this enquiry an obvious but satisfactory answer may be returned|: that it was owing to the newness of ‘The God of Small things’, exemplifies by the peculiar and pixilated use of the language to weave a sensuous story in a sinuso...
Domain of the Devil – A Satire on Indian Publishing
When at length, Suresh was finding his moorings at Tihar; Subba Rau was brought in to a near stampede there. Why not, the whole nation knew him by then as the man who had pricked at the Premier’s face. When Suresh enquired what the fuss was all about, Rau said it was but a ‘literary coup’. Probed by Suresh for an account, Rau unfolded the story of his life and times as an unpublished writer.In his mid-forties, Rau was seized with an urge to bring himself onto the fictional stage. So to lend scope for his boundless creativity, he chose the vastness of the ‘novel’ as the setting. And for the medium of expression, he bypassed his mother tongue, Telugu, the Italian of the East. Instead...